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Review: Avid Mbox Mini

Pro Tools Quality in a Small Package

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Avid Mbox Mini Interface

Avid Mbox Mini Interface

Courtesy Avid
One of the most exciting advances in the last couple of years has been the de-coupling of Pro Tools -- the industry standard recording software suite -- and it's interfaces. Previously, in order to use Pro Tools, you had to have the interfaces that went with it -- and vice versa.

Now, with Avid's new-and-improved Mbox Mini, you can have the power of Pro Tools, alongside Avid's legendary hardware quality, in a small, desktop-sized package. While it's not the most powerful interface on the market, it can get the job done for anyone whose needs are simple; the Mbox Mini is an ideal solution for an acoustic singer-songwriter or voiceover actor looking for a simple, robust platform to start recording.

What's inside the box?

Inside the Mbox Box

The Mbox Mini is an elegant design; it's a sleek, black box, powered via USB bus (eliminating the need for any type of external power supply). On the connection end, you'll find a single combination XLR and TRS 1/4" jack with a world-class, phantom-powered microphone preamp. You'll also find two more 1/4" inputs, along with two 1/4" balanced monitor outputs, a 1/4" headphone output, alongside pad and impedance controls.

On the front, you'll find gain control for your two channels, alongside a large, smoothly-controlled volume knob.

The Mbox Mini isn't bundled with any software; instead, you obtain the software you want and license it separately. It's compatible with Pro Tools, Logic, Live, Sonar, and many others; in fact, if you're using a Core Audio- or ASIO-compatible software package, the Mbox Mini will work perfectly fine for you.

Learning to use Pro Tools? Check out the basics with our FAQ on How to Start a Pro Tools Session.

Sound Quality

Used in a test setting, the Mbox Mini performed beautifully. In fact, I liked it's preamp quality a lot more than it's older cousin, the Digi 002-R; the preamp sounded silky-smooth with a solid top and bottom end extension; the converter sounded nicely colored with a warm, analog-like presence, very reminiscent of early Apogee converters. The Mbox Mini can record as high as 24-bit, 48kHz in resolution.

The monitor outs and headphone out of the Mbox Mini sound clean, with plenty of drive. Used as an all-in-one solution, the Mbox Mini fills a lot of gaps in one tiny package.

In order to get the most out of the Mbox Mini, it's advised to use a computer with at least 2GB of RAM. In my testing, I found that 4GB was a lot more optimal, and provided for a much easier, hiccup free experience when using both Logic and Pro Tools 9 with the Mbox Mini.

Overall, for the price -- around $275 -- you can't do much better; while you'll still have the cost of software to add in, you'll be getting a world-class piece of gear for a small price; after all, once you've made that software investment, upgrading interfaces later on can be a lot cheaper. Mbox Mini is a great place to start.

Just buy a Pro Tools interface? Check out our guide to learning to Mix in Pro Tools.

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